Filters For Landscape Photography

It’s time to spice up your landscape photography with filters.

Filters are used in photography to bring back an image to the way our eyes have perceived the original scene. Some times it’s not possible for our cameras to record an exact scene - so we have to rely on the manufacturers of camera products.

Filters also help us to create mood in our images and bring out the best in a scene. A small selection of filters is well worth packing when heading off for a trip. They don’t take up too much space and will definitely add a bit of spice to your images.

Filters work by being placed in front of your camera lens. You can also place several filters in front of your camera at any given time.

Lets take a look at the most important ones to use.

Neutral Density Filters (ND): Neutral Density filters will certainly help you with tough exposures. These filters work by cutting down the light that reaches your lens. These filters come in a variety of strengths with the most popular being 0.3, 0.6 and 0.9 - these filters will help with exposure without affecting colour.

One half of these filters is dark and the other is completely clear. They basically work by reducing brightness. The different numbers stand for the amount of brightness they reduce - 0.3 ND reduces light by one stop - 0.6 reduces light by 2 stops - 0.9 reduces light by three stops.

Lets say you arrive at a high contrast scene, - you take a light reading of the sky and get an exposure reading of F/22 at 1/8 second; you take a reading from the ground in front of you and get a reading of F/22 at 1 second. This is a difference of three stops of light. You need to reduce the brightness of the sky. By using the 0.9 ND you will reduce the light in the sky by three stops without affecting the light hitting the ground in front of you.

Polarizing Filters: A polarizing filter should be top of the list - a polarizing filter can be used with colour or black and white and is probably the most important filter on the market today. The polarizing filter will also darken the blue sky to give it a strong rich colour. It will make mist stand out and can be also used to give fast flowing water a misty effect. This filter is most effective with side lighting.

Warm-up filters: In overcast conditions, don’t put your camera away. This is an ideal time for you to switch your attention to landscape detail. On an overcast day images often appear cold and dull. Try using a warm-up filter. These filters will remove the dull effect that you get shooting without the sun.

The 81-series are the best choice and will give your images an extra bit of life. An 81A warm-up filter is ideal to use in adding extra warmth to low light images.

Filters for B/W photography: Just because you use black and white film it doesn’t mean that you can’t use filters - there are several filters for B/W photography. The polarizing filter is one of the few filters that work for B/W and colour photography. It will help to darken shades of grey in your final print.

The red filter is one of the most popular. This filter will darken the sky giving your image more impact. The most common red filter is the number 25. Filters for B/W work by transmitting light of its own colour, and holds back light of the other colours.

There’s a large amount of filters available; these are the most important filters for landscape photography. There are also several filters on the market today that will do very little for your photography. Colour graduated filters should be left at home or placed in the bin - colour graduated filters work by creating un-natural colours, destroying your final print.

TJ Tierney. Award winning Irish Landscape photographer. If you are looking for more photo tips visit http://www.goldenirishlight.com/photographytips.html

A Career in Photography

A career as a photographer opens many different doors for you, and gives you the options for a whole variety of different photography careers. You can work in the world of journalism, big business, science and art. You can decide to run your own business or you can work for a salary.

Many people think of studio photography when they consider a photography career, producing studio portraits and other similar work. However, there are many more options that this. Journalism is a great area of photographers, who can specialize in news photography, or maybe sports photography. Some photographic journalists specialize in magazine photography, recording fashion and the lives of the famous. There is also a very venerable tradition of news photographers who became war correspondents, documenting war and other world crises through the lens.

Photographers can also work in business, documenting processes and events that concern large corporations or working with the publicity and media departments. You can have a photography career as a science photographer, recording visually the effects of research and development, or you can do similar work specialising in medicine. The career options are wide for a professional photographer, making this a popular career.

If you want to be a photographer, you will need to go through an education in order to acquire the skills and knowledge you need to do the job properly. However, you will also need other personal qualities to be a good photographer, including:-

-Artistic ability in order to be able to see the photo opportunities around you.

-An eye for composition, allowing you to create a picture with the right elements in the right place to send the message you wish.

-Attention to detail - it is often the details of a picture that can make it or break it.

-Patience - sometimes you will have to wait for hours, days or even weeks for the right images to arrive.

-Practical abilities to be able to "finish" a photograph using development or digital techniques.

-An ability to be able to read the market for the style and type of photographs that are acceptable and in demand.

For many people, being a photographer is not just a career, it is also a way of looking at the world, and in order to be able to do this well, you need to develop the right traits.

This author provides career information related services and career counseling.

The Wonders Of Winter

You may travel the world in search of the most glamorous locations, but sometimes there’s no place like home.

Its winter time again, and while some folks are ready to reside indoors, its time for all landscape photographers to gather their winter gear and start the quest for some great seasonal images.

For many of us, the greatest joy in photography is to travel to far-away lands, seeking idyllic locations, that we can only dream about, and then do our very best to capture them. But do we need to travel to capture perfect sights? All around us are places of beauty waiting to be captured and we pass them every day.

We don’t need to go to great expense or travel thousands of miles; dramatic places are found in every corner of every land. But then I do have one of the world’s best locations on my doorstep: the west coast of Ireland.

While the wet weather can keep me indoors for weeks on end, the winter months bring harsh, but inspiring light, where a rugged Irish Landscape thrives.

No more so than a scenic National Park, five miles outside Killarney town, on the west coast of Ireland. Killarney National Park, filled with towering hills and romantic lakes, still remains one of Irelands most unspoiled treasures.

It’s one of those places where my senses come alive; its varied landscape and rugged, yet accessible, mountain range, is a favourite spot with many and a place where I like to spend a lot of time. Its shapely mountain peaks make it a perfect spot to photograph, especially during the cold and icy winter months.

All we need in photography is a different approach. Each season brings its own elements, and winter is no exception. Using our photography skills at the correct time of day can vastly improve our pictures. If you are serious about photography, dawn is the time to be up and about. At this hour, the colours of the sky cast a brilliant orange-red hue that will add mood and character to any setting.

There are also other elements which make winter special. An early morning ramble through the woods can be a perfect start to any day. Our forests are full of great photo opportunities, and an early stroll around deserted woodland can be a remarkable experience.

Rivers and valleys are also prime locations for early morning snaps. If a damp day is followed by a cold night there may be some low-lying mist hanging around. Mist or no mist, an early start works best.

Last light of the day is also an excellent time to be out and about. The evening sun can explode a variety of colours across the sky as it sets for the day. If the sun shines at the beginning or the end of the day, the colour of the light will be much warmer, and will lead to a much more dramatic scene.

So as winter looms, I gather my belongings and head west to capture the mood of the harsh Irish winter, and start the quest for new seasonal images. It certainly isn’t time to put away the camera. Winter brings plenty of great photo opportunities, tougher conditions to work in, but just as satisfactory as any other season.

Each homeland can be a paradise in its own special way: Ireland is, and I’m sure, winter brings special elements to your homeland too.

TJ Tierney. Irish Landscape Photographer. http://www.goldprints.com

Get The Most Out Of Your Camera

Would you like to take wildlife pictures like you see in magazines, or even turn everyday objects into photographic art?

Did you ever see an image where only a small part of it is sharp? Using the aperture ring correctly can maximise the artistic look of your image.

Not only does it determine the depth-of-field, it also has the power to direct the human eye.

The human eye is instinctively drawn towards noticeable points of an image. These are usually the sharpest and most important parts of an image. Using a wide aperture to limit the area of sharp focus can direct attention to the most important elements of your image and blur out any off-putting backgrounds.

This isn’t that hard to accomplish, and can be blissful if done correctly.

Lets start off with understanding depth-of-field, aperture and f/stops.

Depth-of -field: The distance from the front to back that is in reasonable sharp focus is called the depth-of-field. There are two ways of controlling depth-of-field: Use a small aperture or focus on a point farther away from your camera.

Aperture and f/stops: The aperture is an opening in the centre of the lens through which light passes. The amount of light, which passes through an aperture, is indicated by f/stops. The lower the f/stop the more light that passes through the aperture. Opening up one full f/stop doubles the amount of light entering the camera. F/4 admits twice the light of f5.6.

By selecting a small or narrow aperture (f/16 or up), all or most of the scene will be reasonably sharp. This is ideal for landscape photography. By using a small aperture you increase the depth-of-field.

By selecting a large or wide aperture (f/5.6 or below) you decide which part of your image is sharp. This is ideal for taking pictures of wildlife, portraits, sport and small objects. By using a large aperture you decrease the depth-of-field

The smaller the f/number, the wider the aperture.

There is about twice the depth-of-field behind the point of focus as there is in front of it, using any aperture.

Now you know how to isolate your subject, so it’s time to put it to use. Set your camera to aperture-priority (AV) mode, and then select a large aperture (f/2 - f/5.6). By doing this the camera will select the shutter speed automatically. If you are shooting wildlife choose a low viewpoint to maximise the image, try putting the camera lens at eye-level with the subject.

While the above will help to isolate you subject, it’s only a start. Know your subject, especially when shooting wildlife. Don’t be fooled into thinking all elements of an image must be sharp to be considered a good photo.

The shutter is a mechanical device that controls the length of time that light is allowed to act on the film. Most standard cameras allow us to use a range between 16 second and 1/1000 second. You might be wondering, why anyone would use a long shutter time of 16 seconds: I’ve used this and even longer shutter times when taken lowlight landscape images. I would always advise the use of a tripod with these long exposures time to avoid blur images.

Using a shutter speed of 1/125 second should safely avoid overall blur due to camera movement if you hold the camera by hand. Any longer shutter time should require a tripod.

Each time you open the shutter by one, we double the light, when we close down the light by one we half the light. Open the shutter at 1 second allows twice the light as that of a ½ second.

The shutter can also be used creatively when taking landscape images or sport images. If you want to add motion to your image a slow shutter speed can give an image an extra bit of sway. No more so than taking images of streams. Using a slow shutter speed when photographing water will cause the water to blur, resulting with the image expressing motion.

By contrast, a fast shutter speed of 1/250 would be used in shooting wildlife or where the subject that you’re shooting needs to be still and sharp. Most wildlife photographers would use a fast shutter speed.

By using the shutter and aperture together we control exposure. Both allow light to enter the camera: the shutter by time and the aperture by the size of the hole in the lens.

For example: you’re shooting a landscape scene; you get an exposure reading at f/11 at ¼ second. You know that by using f/11 that the entire image wont be sharp. You want to shoot at f/22, which is four times less light than f/11. You need to quadruple the light through time; each time you open the shutter by one you double the light, so open it by two stops and your exposure time will be 1 second. Your final exposure should read f/22 at 1 second.

At the best of times, calculating the correct exposure can be a difficult task, but with a few simple tips our images can produce eye-catching colours that we see all around us every day.

TJ Tierney. Irish landscape photographer. http://www.goldprints.com

Photography Books: Learn fine skills of photography

The photography books give you the best knowledge on photography allowing you to enhance your skills and get the best imaging experience. These books contain all the necessary information on how to use a camera and its advanced features.

Books have always been a great companion for all. Whether you are a student or an adult, there are books for everyone. No matter what subject you are interested in, you would find your favourite book very easily. These informational books can fill up your mind with ideas and sometimes transform your life. Be it adventure, romance, action, photography or art, you name it and there is a book on that topic. So one can further enhance his knowledge in his field of interest by reading his choicest books.

Photography is a passion for many. Some of the titles of the famous photography books include “How to Shoot Great Photographs with a Film or Digital Camera" by Bryan Peterson, “The Digital Photography Handbook,” and “An Illustrated Step-by-Step Guide" by Doug Harman etc.

The best photography book would be the one which answers to all your questions regarding digital photography. The book should take you step by step about how to get the best shots with different angles. The field of digital photography is getting popular day by day. This is the reason that there are some of the best photography books being published recently. These books also give the users some essential information which will help you to make a buying decision. By reading these books, you can decide easily which camera would suit to your tastes and what factors you should be aware of while buying your camera. One can also find some specialized topics like digital night photography, digital portrait photography, digital infra-red photography, digital black and white photography, etc.

If you are a novice in photography, the best books to read is Ben Long's revised and highly acclaimed 'Complete Digital Photography'. So if you want to buy a camera or upgrade it to a better model, you can take some useful tips from this book. One can also find books that give knowledge about the technical aspects of digital photography. Learn how to do actual shooting, when and how to use a flash and lots more. These books would surely help you bring the best knowledge about photography.

You can find various portals offering photography books with special deals and offers. All the popular books in this genre can be found online. Avail various benefits on purchasing them and get them delivered free of cost to your doorsteps.

Know more about books price comparison at rupiz compare and get discount shop for cheap books and magazines subscriptions here.

Capture the Perfect Snowboarding Moment Using These Tips

Another growing aspect of snowboarding is photography. Yes! Snowboarding pictures are part of the sport's culture. Taking snowboard riders at their best form has created a great interest for photographers. Now if you are newly venturing into this quest, there are three things that you should consider.

Extreme Weather Condition

You should know how to handle your camera in cold conditions. The primary problem that you will encounter with your camera is cold temperature. Batteries most often do not work in very cold conditions. It may also affect the camera's shutter and your film.

To keep your camera and batteries warm when dealing with cold weather, keep them inside the parka and close to your body. Take them out only when you are prepared to shoot. However, it will be a problem if you have a huge camera. But if you are only taking pictures for souvenir, then a smaller camera will do. Meanwhile, if you are taking professional pictures, then get the best camera you can afford and try to keep it as warm as you can.

Timing and Sharp Focus

When taking a snowboarding picture, you want to capture the agility of the rider and the illusion of speed. To capture that moment, you need great timing and very sharp focus. You have to get yourself in the right position and be in the right location to have a clear visual of the subject and to have a good chance of photographing the moment. However, it will still be very difficult to take a shot without coordinating with the snowboarder. So instead of waiting for the right time, plan the right time.

Have an agreement with the snowboarder about simple signals, location, and the time you will need to set up for the winning shot. Once you have this arranged, agree on what kind of poses you are looking for. It is important to communicate to the subject what you want to capture on film. Before choosing a location, try to survey whether there is enough room for you to move and cover. Meanwhile, when giving signals, it is better to use verbal signs but if that is not possible try to have clear non-verbal signals that both you and the snowboarder will understand.

Pay also special attention on your camera. You have to be adept in using your camera to avoid losing a split second chance of shooting a great snowboarding photo. Run a few shots to check if everything is working. Most importantly check the film. You don't want to put all your efforts in vain when you find out that your film has been exposed or you simply forgot to bring enough of them.

Film Exposure

Another terrible problem that you might encounter when taking pictures is film exposure. Most often than not, your camera is dealing with too much light. The snow is bright. The sky is bright. Both these elements appear nicely on your film but when you take a picture of your subject, he becomes a dark silhouette. To remedy this problem, you can use a light filter to control the light of the background as well as the subject. This will place light on where you want it to be. You should also you fill flash, this way you will avoid having dark silhouettes on your subject.

You may also encounter having bluish colored pictures especially when you are in a high altitude and surrounded with snow. A good solution to these problems is using a UV filter. It will lessen the blue light. This is very useful when you are taking snowboarding pictures at higher altitudes.

Considering these factors will help you come up with great snowboarding photos. Treat your camera as an extension of yourself by protecting it from cold, so that like your body it can function well. Plan the things that you need to do to capture the moment that you want. Lastly, invest on your camera. Add devices that will help you immortalize the perfect moment on your film.

If you want more skiing tips, visit http://www.ski-trip-planning.com for information on skiing vacations.

Use free Photoshop Tutorials to Become a Master in Photography

People who work with digital photographs are probably masters in the art of using Photoshop. And when I say art I mean that, from normal photos, they can obtain really artistic photos, with all flaws corrected, with the right color saturation and all kinds of marvelous effects.

But we are all asking ourselves, how these people can transform a photo into a work of art? The answer is quite simple: they have learned all their tricks by using books and free and Photoshop tutorials. But it's a lot easier to use tutorials when you want to learn something new, because you no longer have to consult different books and ask your friends until you get your questions answered. These free Photoshop tutorials are made in such a way that everyone can understand how the software works.

These free Photoshop tutorials can be found on the Internet divided into different categories in order for you to find them easier and faster: the basics category, the photography tutorials, and the texturing category and only for Photoshop fans the special FX and the web designing tutorials. On other websites you can find free Photoshop tutorials classified by the version of the program so you can pick up a whole set of tutorials made especially for the Photoshop version you use. Only for Photoshop fans tutorials that are great for multimedia pros, video, film, graphic and web-designers.

If you search the Internet and type free Photoshop tutorials you will be surprised to see how many tutorials for this great software are out there. Basic Photoshop tutorials are for those people who do not know a lot about how to use Photoshop. They can easily learn from these free Photoshop tutorials how to change the color of the hair, how to remove red eyes, retouch pictures, learn the essentials of layers, get a quick overview in what concerns the gradient tool and many more.

Those people who own a website can also use Photoshop tutorials. In some more advanced tutorials you can learn how to make a hosting server with Photoshop, create website navigation bars, create professional introduction pages and make media site content boxes easily. These are only a few examples of what free Photoshop tutorials can teach you. There are also a lot more options and tutorials for you to choose from, and they are not limited only for Photoshop fans, they are available for everyone.

You can find hundreds of Photoshop tutorials on the Internet, but if you really want to learn something you should stick to a few basic tutorials and then rush for the more advanced ones that are reserved only to the Photoshop fans. Step by step you will learn all the tricks this great software offers you.

Free Photoshop tutorials are a great opportunity that no one should miss. Learning something new and fun for free is not something to refuse every day. Maybe you will not become the director of an imposing magazine by learning how to use Photoshop, but at least you could have a great photo album to share with your friends.

If you are looking for a large variety of free Photoshop tutorials made only for Photoshop fans please visit http://www.psfanatic.com

How To Take Amazing Digital Photos Of Your Kids (Or Anyone Else)

Children and a Camera - probably the most difficult, but creatively satisfying way of archiving your life's wonderful moments.

Shooting pictures of children can be more difficult than getting a shot of that awesome dunk or the spectacular home-run hit, because a sports moment is probably more predictable than the expression of a child. It's almost like trying to hit a moving target, except you don't know when your target will show up, and which way it will move!

But rest easy - amazing advancements in digital photography, both in terms of technology and lower prices, have made it possible for your special moments to be captured with far better accuracy and detail than ever before. Newer cameras with improved photo resolution and shutter speed, with the help of spectacular low-cost lenses, help to make it easier for both professional and novice photographers to take excellent pictures. When these features alone cannot help take the picture you want, fancy software that comes for free with the digital cameras lets your alter the pictures to do full justice to the moments they capture.

Many believe that great cameras take great pictures. Well, there's both good and bad news for you - the good news is that you don't need a $2000 camera and a $3000 lens in order to take an amazing picture; the bad news is that you - the photographer - are the one who can single-handedly make or break an amazing photo - all by yourself, just with your "eye" for photography (or the lack of it).

Any photographer worth her salt will tell you that when it comes to taking good photos, timing is everything. There is a very small window of opportunity to capture a truly great shot, and whether you're after that exhilarating sunset, or trying to capture that all fleeting expression on your child's face, your fingers must have precision, timing and an intuitive sense of when to click. It is tougher than it looks, and that's why photography is an art.

Similar to the famous saying, beautiful pictures lie in the eye of the photographer, and not in the camera.

Famous photographers charge thousands of dollars to take a picture. It is not because they have better cameras or expensive lenses (even though that does matter, but not as much as you probably think), but because they know what to focus on, and when to click.

Most of us only come close to getting the ideal shot, never fully realizing it in the end. More often than not, our pictures have most of the elements, but fall short in a few key areas: Perhaps you frame your subject well, but the lighting is just a little bit off; or perhaps the lighting is good but you forgot to include a flash or use red-eye reduction.

This is where modern digital photography becomes a necessary component in taking the perfect photo. Within minutes, just about any picture can be edited to reach its full potential when it is created with a digital camera. Automatic color enhancement, red-eye reduction, and zoom and crop features that go along with taking digital photos are just a few of the many awesome features that digital photos have to offer. With these tools in easy reach, taking beautiful pictures has become easier than ever.

It is then a no-brainer that you should be buying a digital camera, and not a film-based camera, for obvious reasons: you can shoot as many pictures as you want, repeatedly, till you get that perfect picture, without having to worry about burning through tens if not hundreds of dollars worth of film rolls, development and printing costs. Plus when shot using popular formats like RAW, the things you can do to your pictures before you print or publish them, are mind boggling.

All you need is to find the right camera. You want a camera that offers great pictures as well as easy options for downloading to your printer or computer. You can edit your pictures as you like with commercial programs like Photoshop or Corel, or with software that comes with the camera, like Canon's EasyBrowser.

Technology has advanced so much and there is so much competition amongst camera makers, that the prices are now so attractive which makes it very hard to mention money as an excuse.

The hardest choice then becomes what 'type' of camera to buy:

- a Point-and-click (that has a built-in, permanent lense), or
- a SLR (Single Lens Reflex - whose lenses can be removed and changed).

Point-and-click cameras are meant for the average person, who doesn't want to be bothered with too many options or choices - someone who wants to just point at the target, and click, and be done with it. The average auto-focus camera comes with an in-built zoom lens, has a little flash bulb, has a little screen behind the camera where you can see the full frame of what you are about to shoot, as well as a preview of the photo after you've shot it.

They take great pictures, no doubt. But they can, in no way, be compared to the pictures taken by the slightly more expensive SLR cameras.

An SLR camera comes with the ability to switch lenses, so that you can choose the right lens for that super-close up picture of that bee pollinating a flower, or the perfect wide-angle lens to capture the entire view of the Grand Canyon from where you stand.

Other features that make a SLR a much better choice for taking great pictures that last a lifetime, are:

* Built for speed - Super fast start-up speed so that you never have to miss that perfect moment because it took your camera 20 seconds to get to ready-to-shoot state.

* Accurate "what you see is what you get" picture when you compose your shots through the view finder instead of the LCD display. In fact, the LCD display on an SLR will not show you a preview of your current composition, but will only show you the photo after you've shot it.

* A wide choices of lenses: You're not stuck with just one lens like you would with a point-and-click camera. You have the option of buying and using a variety of lenses to match just what you are about to shoot.

* Better pictures in low light - Due to the ability to vary aperture, a SLR lens can open the aperture long enough to let in more light in low-light situations, or click faster in a very-bright situation (like a bright overhead sun).

When you are ready to buy your digital camera, you need to take the price into consideration, but it is more important to think about the features of the camera that you buy. It is the features that will help you to make the most of your pictures. You will not need an feature filled camera if you are only using it for recreational purposes. However if you plan to do a lot with your photos, you will want a camera that offers the right features for you.

Even though I own a Canon Rebel XTi myself and cannot recommend it highly enough, here are some digital SLR cameras to consider:

Canon EOS Digital Rebel XTi: http://amazon.com/o/ASIN/B000I1ZWRW/nosim-20
This is what I own - a 10.1 MP (Mega-pixel) camera that takes phenomenal picutures, and offers a great combination of performance, ease-of-use and value. It comes with a 2.5-inch LCD monitor, a integrated cleaning system featuring a self-cleaning sensor that vibrates the sensor to shake-off dust, all of this in a very light, ergonomic body.

Nikon D80: http://amazon.com/o/ASIN/B000HGIWN4/nosim-20
This is a 10.2 Megapixel camera with instant 0.18 sec. start-up, and fast 80ms shutter response. Allows continuous shooting at up to 3 frames per second and up to 100 consecutive JPEG images. Takes about 2,700 images per battery charge as per Nikon. Has a similar 2.5" LCD color monitor with 170-degree, wide-angle viewing. A little more expensive than the Canon Rebel XTi.

Sony A100: http://amazon.com/o/ASIN/B000DZH60O/nosim-20
A 10 Megapixel CCD, that has quite similar features to the Canon and Nikon, like Anti-Dust system, 2.5" LCD amd 9-point autofocus. The distinguishing feature of the Sony A100 is the Super SteadyShot® image stabilization feature that moves the CCD to compensate for camera shake. This will come in handy especially when shooting in low-light situations, where the aperture opens more to let in more light, which means it could take a lot longer for the "click" than in normal-light conditions, and both the photographer (you) and the targets (your kids, friends or family) have a greater tendency to not stay still for that few precious seconds.

Canon and Nikon overcome this by incorporating image stabilization features into the lens, instead of into the camera itself like Sony does. This leads to slightly more expensive lenses, but some believe that lenses do a better job of handling "shake" rather than the cameras themselves. So, this is one more thing for you to consider while making the choice between say, a Canon and a Sony.

Finally, the bottomline is cameras can only enhance a great picture - they cannot create it from scratch. You are the one who has the ability to elevate an ordinary shot into an extraordinary one with your sense of timing, angle, and composition. So, depending on your own internal "brand" preference, any of the above cameras would make a great choice.

To see how others have shot pictures of their little ones, check out the world's cutest baby pictures at http://www.BabyNamesIndia.com/pictures.html . Afer that, head over to Amazon.com, read the reviews, do your research, and take your time in deciding which digital SLR is right for you.

If you are thinking that deciding which camera to buy is a difficult task, wait till you have that beautiful camera in your hand, and you wait for your little one to come up with that same expression that he had on his/her face last week, when you missed taking a photo because you had a slow and tedious point-and-shoot camera in hand!

Take amazing pictures that last a life time. Get a digital SLR.

Ravi Jayagopal is a Software Architect and eBusiness Consultant from Westchester, New York, helping web site publishers with their Programming, SEO and Internet marketing needs. Check out some of the cutest baby pictures Ravi's site, http://www.BabyNamesIndia.com/pictures.html

Portrait Studios

Portrait studios are a significant component of the portrait. For the background to be very victorious, it is must that is not compete with main subject but still support the frame of mind of the portrait. The competing shapes as well as the lines intersecting center of the interest have to be avoided. Except the artistic statement, sturdy colors are inclined to distract from message.

If you have the studio in to your basement or else in the separate room, then your background will most likely be along longest shipshape wall. One of the unavoidable features is line made up by the junction of wall as well as floor. This line repeatedly appears in lower third of picture, the cutting all through the portrait with no regard to affect that it has on the theme. It can also be the airbrushed out or else digitally detached however the best answer is to remove that from room actually.

Many of the studios now rely on the hanging the large muslin fabric background lying on the wall. The advantage of the muslin is it hides the corners as well as the floor lines plus can also be stored in the bag while not in exercise. The scenes though look best when it is not draped, however stretched quite tightly athwart the wall. The solid colors as well as subtle outlines can be wrapped loosely or else bunched for the artistic outcome. Most valuable are the subtly combined light shades as well as the solid black. The one attached at ceiling height, they will be long adequate to be carried out just short of the camera location for the full liberty of posing.

Primarily, make out wherever the inexpensive to no-cost photographers are lynching out. The Community colleges and the university are proliferation grounds for imaginative types. The Department store portrait studios make use of photographers at bare minimum wage to snap movies of family for the holidays. less important group of people newspapers more often than not hire photographers with small work knowledge and large dreams.

Many of the portrait studios provide the well-liked background option of white. While the pure white doesn’t exist in the nature, it is ultimate look of the non-interference in the portrait background. The outcome to some extent remindful of the catalog advertisement but it narrates well to the high input photography as well as faded vignettes. The large roll of the white paper can also be used, however over time it is expensive as well as mars easily. The improved solution is washable decorated surface.

This kind of the painted background can also be brought on the floorboards, progressively shaded to the neutral gray. Curved floor that is the ’invisible horizon’ might add much of the distance as well as separation to the portraits. Now with the digital cameras that are showing the bigger depth of the field, it is very significant that your background come out soft as well as uncluttered which is a great news.

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Tips for Better Vacation Photos

Photos are a great way to share your travel experiences with family and friends. Here are a few suggestions to help you capture vacation memories you will treasure for years to come.

PLAN AHEAD

Make sure your digital camera is in good working order before you go, and keep it in a water- and shock-resistant case. Bring two sets of rechargeable batteries and don't forget the charger and relevant cords. Make sure your camera has enough memory. Packing an extra memory card is wise, as there is nothing worse than running out of room for pictures halfway down the Grand Canyon. It may be tempting to lower the resolution so you can store more pictures, but you will regret this later as it may result in poorer quality prints, or you will be limited to smaller size prints. Set your camera at its highest quality JPEG setting and get more memory if you have to. You will appreciate this when you're viewing and printing your photos after your trip.

TAKE LOTS AND LOTS OF PICTURES.

With a digital camera you can always erase the photos you don't want. Take pictures of anything you find interesting and try to focus on some of the details such as an attractive doorway or a colorful market, not just panoramic scenes or major landmarks. Let your pictures tell a story by creating a visual diary of your trip. Include street scenes, interesting signs, people you see along the way. For variety take both vertical and horizontal pictures.

READY FOR YOUR CLOSE-UP?

When taking people shots, don't make the mistake of standing too far away. You want to be able to recognize the people in your photos. Get close enough so you can see the expressions on your subjects faces. Zoom in on individuals or capture them from the waist up. Pictures are often more interesting when you can catch people at candid, un-posed moments. In posed photos, try to incorporate some of the background into your shot. Try snapping from interesting angles rather than simply head-on.

USE YOUR FLASH

When photographing in bright sunlight, setting your camera's "fill" or "forced" flash is very helpful, particularly when photographing people. Brilliant sunlight often makes people's faces look harsh, casting dark shadows under the eyes and accentuating wrinkles. The daytime fill-in flash will soften the lighting and make the images more flattering. Your family and friends in the photos will thank you!

EDIT AND ENHANCE YOUR FAVORITE SHOTS

When you get home you can edit, crop and enhance your favorites using photo editing software such as Foto Finish, Ulead or Photoshop Elements. Consider adding drama to your images by turning some of your color photos into black and white or sepia tones and then upload all your images to an online photo printing service like Ofoto or Shutterfly for fast and convenient prints. You can take your best snaps and use your photo editing software to create a photo calendar or make photo cards for personal notes, or to email your favorites to family and friends.

Most of all have fun with your camera!

About The Author

Valerie Goettsch publishes the digital photography website http://www.digitalphotos101.com featuring reviews of photo editing and album software and digital photo printing services.

How to Photograph Your Baby

Babies make the best and the worst subjects to photograph. They are the best for two reasons, people are more tolerant at looking at baby photos, as well as the fact that babies are not aware their image is being captured, and therefore they do not tend to put on the "camera face" so typically used by elder children and adults. They are the worst subjects because their behaviour is unpredictable. Because their behaviour is uncensored, they show their emotions, and can just as easily cry as gurgle happily into the camera.

One of the most challenging aspects of photographing a baby is to control the subject. On the one hand you want them relatively still, but too much control and the photo looses it impetuousness. Lighting and background are both important, you want the background as uncluttered and simple as possible if the photograph is indoors, or as natural as possible outside, a piece of grass is ideal. The lighting should be coming from at least two directional sources, but if it is too strong it will throw shadows that complicate the picture, and often lose the wonderful facial expressions it is possible to capture. However don't miss those impromptu shots either especially with a digital camera, you can always edit the background later.

It is usually helpful to restrict babies' activities; they are not portrayed at their best nappy high in the air crawling across the floor. A good way to restrict them is a highchair, or holding them in the arms of another person. Baby photography is often better taken very close up, and it is a wise move to look at the manual for your camera, and see how close you can get. It is better to get everything set up first, and then place the baby in position when the lighting and setting have been chosen. However that of course is not always possible.

Distractions in the form of noise, and toys can be a tool, but never forget that a baby's emotion's are always lightning fast, and it all makes for great photographs, whether it is tears of frustration, pouring a drink over your best camera, or laughing.

They are often easier to photograph when there is a minimum of people around because they are so easily distracted. The old school of thought was keep the mother well out of the way, however I personally can't see any mileage in that, as babies are calmer with someone they know, and in most cases that is the mother. Above all remember that photographing babies is fun, the unexpected if caught at just the right moment, makes great memories. Although I doubt if a father who has just picked up their offspring for a photograph will forget the time that their child was sick all over them. Control can only go so far with babies.

Babies are babies for short a period of time, you can never have too many photographs, and here a digital camera can save enormous amounts on both film and development. It also allows for wastage as you can view the results immediately and can the ones you don't want. You will have huge embarrassment value in later life showing your daughter's first boyfriend her as a baby with no nappy! Another enormous advantage to digital photography is that you don't have to shoot the photograph with a little black box in front of your face. This will catch a baby's emotions perfectly, but is not the best way to capture their best expressions. A small child will respond better when they respond to your expressions. By being able to hold the camera away from your face you have a chance to capture the best of their expressions as well; an LCD screen generally reaps huge benefits.

Another great myth was that the best photographs are taken by professionals, whilst there is no denying that professional take great formal photographs, and every baby should have at least one set to keep as an adult. However this formal stylised pose often lacks something, somehow, because children are not camera aware, they are not camera shy. Young babies are better photographed in an environment that they are entirely comfortable with and that place is often their own home or the garden. The great thing about photographing your own child is that it does not need any special equipment, special effects, or even any really special effort, and it certainly does not involve trailing somewhere in the middle of the night to capture a beautiful dawn. A point and shoot will work wonders.

Probably the most important technical point to remember when photographing a baby is that because of their size, you have to get down to their height to get that wonderful close- up. The easiest way and least dangerous way is to physically get down on the floor with them, not necessarily the most dignified way, but certainly the most rewarding. There are no imperfections in a babies face, you can get as close as you can without showing crow's feet! You cannot engineer this type of photography it has to happen, but you can be creative in your approach and let the baby respond to you, because it has no knowledge of how to respond to the camera.

With a very young baby still in its crib, there is very little option, but to shoot from the above, unless you want the baby to look as though it is captured in a wooden box, but it is an approach to be avoided if at all possible.

You have more opportunities to photograph babies in more settings than at almost any other age. After all you don't photograph your mother on the toilet. Few props are useful with babies, but baths and potty's are great because they are both tools that they are familiar with and with a little patience they can be put to great effect regarding play. Surely you can put up with getting a little damp at bath- time, but of course try and remember to make sure the potty is empty! Above all remember that it fun and relaxed, you will never have the opportunity to have so many natural photos again. Enter into the spirit of it and you will be amply rewarded. Another great "prop" to use if you have one is the family pet, providing it is not intimidating to the baby.

There is no fun at all in photographing someone screaming the house down in fear. Whilst every parent should have at least one set of professional photos taken, don't rely on someone else to capture those truly enchanting moments, especially at momentous milestones. If it is your child's first birthday they will reward you with better photographs if you take them yourself. Get someone else to do it on a less important day.

Publisher & author: Roy Barker. Roy is the author of the popular ebook, Income from Photography - a downloadable ebook which guides the reader on how to start up and market a Profitable Photography business. It can be viewed at http://www.profitable-photography.com. Other related and reviewed services & research sources can be found at http://www.profitable-photography.com/html/117/

10 Things You Can Do to Protect Your Photographs from Infringement

While it would be nice to live in a house where you don't have to lock the door, it's not practical these days. Likewise, here are 10 things you can do to help safeguard your images from being stolen.

#1 Use the copyright "notice" the © with a date and name of the copyright owner whenever you publish your images. It may stop someone from copying an image, either because the person will be reminded that the image belongs to someone or because the notice impairs the image for the person's use.

#2 Include with your copyright notice the words "All Rights Reserved." Some additional international protection is added.

#3 Register your copyrights with the U.S. Copyright Office. While you own the copyright to your image when you click the shutter (in most instances), registration itself provides some evidence that the image is yours. Register it even if it's already published. It's better late than never.

#4 If you find a website that is unlawfully using one of your images, follow the provisions of the Digital Millennium Copyright Act to contact the Internet Service Provider who must then remove the material from user's website.

#5 When you provide copies of your images to someone else, put IN WRITING the specific rights of usage you are giving that person.

#6 Put a copyright notice on your website, such as: All photographs appearing on this site are the property of Carolyn Wright Photography. They are protected by the U.S. copyright laws, and are not to be downloaded or reproduced in any way without the written permission of Carolyn Wright Photography.

#7 Don't steal others work, such as music. Get a license if you need a tune to accompany your slideshow. Teach your children and others to respect other's work.

#8 Read the fine print whenever you submit your image to anyone/anywhere to make sure that it's not a license agreement to use your image or to transfer the copyright.

#9 Include your copyrights in your estate planning, along with your other assets such as your house and furnishings.

#10 Sue those who steal your work. Send the message that you value your work.

Copyright 2005 Carolyn E. Wright All Rights Reserved

Carolyn E. Wright, Esq., has a unique legal practice aimed squarely at the needs of photographers. A pro photographer herself, Carolyn has the credentials and the experience to protect photographers. She's represented clients in multimillion dollar litigations, but also has the desire to help new photographers just starting their careers. Carolyn graduated from Emory University School of Law with a Juris Doctor, and from Tennessee Tech Univ. with a Masters of Business Administration degree and a Bachelor of Science degree in music.

She wrote the book on photography law. "88 Secrets to the Law for Photographers," by Carolyn and well-known professional photographer, Scott Bourne, is scheduled for fall 2005 release by Olympic Mountain School Press. Carolyn also is a columnist for PhotoFocus Magazine.

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com